Christopher Merrill – After the Fact

Iowa City Masonic Building 312 E College St, Iowa City, IA

Christopher Merrill has published eight collections of poetry, including Watch Fire, for which he received the Lavan Younger Poets Award from the Academy of American Poets, and On the Road to Lviv; many edited volumes and translations; and six books of nonfiction, among them, Only the Nails Remain: Scenes from the Balkan Wars, Things of the Hidden God: Journey

Marguerite Sheffer – The Man in the Banana Trees and Sharon Wahl – Everything Flirts

Iowa City Masonic Building 312 E College St, Iowa City, IA

Marguerite (Maggie) Sheffer is a writer who lives in New Orleans. She is a Professor of Practice at Tulane University, where she teaches courses in design thinking and speculative fiction as tools for social change. Formerly, she taught English at the East Oakland School of the Arts, Castlemont High School, Life Academy, and GW Carver

Willy Vlautin – The Horse

Iowa City Masonic Building 312 E College St, Iowa City, IA

Born and raised in Reno, Nevada, Willy Vlautin is the author of six novels and is the founder of the bands Richmond Fontaine and The Delines. Vlautin started writing stories and songs at the age of eleven after receiving his first guitar. Inspired by songwriters and novelists Paul Kelly, Willie Nelson, Tom Waits, William Kennedy,

Chris Offutt – Code of the Hills

Iowa City Masonic Building 312 E College St, Iowa City, IA

With his signature crackling prose, literary master Chris Offutt has staked out his own territory in crime fiction, a place of familial allegiances, old wounds, and revenge—the code of the hills. His new book, a sharp, twisty southern noir with echoes of James Sallis and Daniel Woodrell, will force Mick to face up to the

Nina Lohman – The Body Alone

Iowa City Masonic Building 312 E College St, Iowa City, IA

The Body Alone is an inquiry into the experience, meaning, and articulation of pain. It is a personal hybrid account incorporating research, scholarship, and memoir to examine chronic pain through the multi-lens of medicine, theology, and philosophy. Broken bodies tell broken stories. Nina Lohman’s pain experience is portrayed through a cyclical narrative of primers, vocabulary lessons,