Stuart Dybek is the author of five books of fiction--Ecstatic Cahoots, Paper Lantern, I Sailed with Magellan, The Coast of Chicago, and Childhood and Other Neighborhoods–as well as two collections of poetry, Brass Knuckles and Streets in Their Own Ink. Dybek is the recipient of many prizes and awards, including the PEN/Malamud Award, an Arts and Letters Award from the American Academy of
A comprehensive initiative composed of several integrated elements that features a Digital Diaries Exhibit that showcases the firsthand experiences of youth across the globe, focusing on themes of war, struggle, and resilience across time. The digital diaries exhibit, inspired by Anne Frank’s iconic, red-checked diary, showcases narratives from young individuals around the world and across
Fyodor Dostoevsky’s Notes from Underground (1864), his first consequential post-Siberian imprisonment publication, explores the tragicomedy of humanity’s entrapment in the confines soul-sapping modernity and serves as the foundation of the existential and metaphysical concepts he addresses in the Great Five: Crime and Punishment, The Idiot, Demons, The Adolescent, and Brothers Karamazov. In commemoration of the
BRUNA DANTAS LOBATO is a writer and translator. Her fiction has appeared in The New Yorker, Guernica, A Public Space, and The Common. She was awarded the 2023 National Book Award in Translation for The Words That Remain by Stênio Gardel. Dantas Lobato was born and raised in Natal, Brazil, and lives in St. Louis, Missouri. Blue Light Hours is her debut novel.
This screening is part of a larger program that celebrates the 160th anniversary of the publication of Fyodor Dostoevsky's "Notes from Underground." Martin Scorsese's 1976 film is the novel’s most famous US adaptation. University of Iowa Adjunct Assistant Professor Anna Barker will lead a post-screening discussion immediately following, where she will discuss the way the film explores
Sit in on a one-of-a-kind evening with writer and Iowa graduate Tracy Kidder, “a master of the nonfiction narrative” (Baltimore Sun), as he reflects on his lengthy literary career and reads from some of his bestselling work. Register here: https://foriowa.info/3yN03tD The event will feature a conversation about the power of long-form investigative writing between Kidder and
Yeehaw! Join us at Daydreams Comics, where Austin Allen Hamblin and John Ira Thomas, 2/3 of the creative team behind indie comics sensation Big Guns Stupid Rednecks, will be on hand! Take a break from fish’n and mud’n and come enjoy some old fashion comic book fun!
Iowa Bibliophiles is a group for book lovers and enthusiasts of all kinds hosted by the University of Iowa Libraries' Special Collections and Archives. All are welcome at this special event. Hear a talk by special guest Megan Rosenbloom, author of Dark Archives: A Librarian’s Investigation into the Science and History of Books Bound in Human Skin.
To be Native American is to live in a world of contradictions. At the same time that the number of people in the US who claim Native identity has exploded—increasing 85 percent in just ten years—the number of people formally enrolled in Tribes has not. While the federal government recognizes Tribal sovereignty, being a member
Nancy Miller Gomez grew up in Kansas, but currently lives in Santa Cruz, California. Her work has appeared or is forthcoming in Best American Poetry, Best New Poets, Prairie Schooner, TriQuarterly, The Adroit Journal, Shenandoah, New Ohio Review, Rattle, Massachusetts Review, River Styx, American Life in Poetry, Verse Daily, The Hopkins Review, and elsewhere. She received a special mention in the 2023 Pushcart Prize Anthology and her chapbook, Punishment, was published as part of
Featuring IWP Residents: Lisa ALLEN-AGOSTINI (fiction writer, poet, editor; Trinidad and Tobago) is the author of the historical noir novella Death in the Dry River (2024), the young adult novel Home Home (2020), and the domestic noir novel The Bread the Devil Knead (2021), which was shortlisted for the Women’s Prize for Fiction in
Typedancing is a collaborative interdisciplinary performance featuring musicians, poets, dancers and visual artists making music with and dancing to obsolete office equipment. With audience participation, it also includes live-produced zines from the artifacts of the performance.
